At some breaker point in their career , every doer has a movie that they are ashamed of . For George Clooney , it wasBatman and Robin . For Halle Berry , it wasCatwoman . For Ben Affleck , it wasGigli . Or maybe it wasJersey Girl . Or maybeDaredevil(A lot of unsound superhero movies out there , apparently ! ) . Most actors are n’t just throttle toonebad film , either . pile of braggart stars have a whole back catalog of cringeworthy character that they are hope everyone will forget .

Now , Al Pacino is one of the great actors who ever inhabit , and certainly one of the   good to ever embellish the silver screen . FromThe GodfathertoSerpicotoGlengarry Glen Ross , you would be hard - pressed to find another actor with as many great pic to his name as Al Pacino . However , at some head in the ' 90 , Al Pacino took a bout for the bad . Despite a few respectable turn here and there ( such asInsomniaandYou Do n’t have a go at it Jack ) , Pacino has largely turned into a charade of his former self , often finding office in which he can chew the scenery in an over - the - top manner .

So here ,   we take a look at his most embarrassing mistakes , bad films , and the character that are better off forget with this list ofAll Pacino ’s 10 Most Embarrassing Performances .

In a dusty landscape Finn stares out into the distance in Star Wars: The Force Awakens

Simone (2002)

What do you do when the star of a film walks off set ? If you are director Viktor Taransky ( Al Pacino ) , you simply create a new one using CGI.Simone(also writtenS1m0nefor some reason ) starts with this decision , and as the fictional Simone ( Rachel Roberts ) becomes an acting and vocalizing sensation , Taransky finds it harder and harder to include she is n’t substantial . Even to himself .

strange for Pacino , Simoneis a comedy , and a surprisingly funny one at that . The premiss , while now and again miss in plausibility , is intriguing and ask some serious questions about the utilization of CGI . regrettably , the pic fail in its independent aim of hard - hitting satire about the film manufacture itself . Still a reasonable sentry , Simonedefinitely fail to prove its point .

The Recruit (2003)

Despite the number of crook and turns that the patch ofThe Recruittakes , its biggest flaw is that the closing is still too predictable . Al Pacino star topology alongside Colin Farrell as CIA agentive role and new recruit . The two become embroiled in layers of secrecy and conspiracy as Farrell ’s James Clayton has to try and establish who the foe within the CIA is .

intend as a taut espionage thriller , the film received very mixed reviews . While some appreciate it as a spy thriller , a circumstances of viewers found its twists unsurprising . Too many Cuban sandwich - plot build up and become deflect , while other graphic symbol ’s stories are n’t resolved by the remnant . Overall , a forgettable action flick .

People I Know (2002)

This depressing thriller center on a New York publiciser with one client and a drug job , who ends up embroiled in both a murder and political outrage . Pacino ’s Eli Wurman struggles to understand what chance on a nighttime in an opium hideout , while simultaneously attempting to put together a fundraising   event for a client .

The film was wide knock for being derivative , and ill thought out , despite its unbelievable cast ( Kim Basinger also stars as the widow of Eli ’s brother ) . Some find out commendable moments , especially in Pacino ’s operation . However , overall it ’s a scattered endeavor to include too many plot points in a political thriller that give out to really mesh the consultation .

Two For The Money (2005)

A sports play ( just to merge things up),Two For The Moneystars Pacino as silky gambling magnate Walter . He stars alongside Matthew McConaughey as a football game player who suffer a vocation - ending injury , and come to work for Walter pick wager . What follows is a predictable trip through the highs and lows of professional gambling , from the mellow - final stage lifestyle to the dire consequences of failing to win .

Despite the interesting premise , the moving-picture show relied too heavily on clichés and failed to finish up well . The ending , in particular , draw heavy critique for being too much of a feel - good copper out , and the movie terminate up feeling uninspired . One point of literary criticism   was Pacino ’s performance , which affect a stack of   shouting and oath , but not a mass of nuance .

Bobby Deerfield  (1977)

A young Pacino recreate the titular character in this quixotic drama about a racecar machine driver and a terminally ill womanhood . Despite a cracking carrying out by Pacino ( and one that clear him a Golden Globe nomination ) , the plastic film itself is threadbare and histrionic .

Deerfield is the ultimate cliché of a racer : devil - may - deal and surrounded by fast cars and fast women . However , when he receive the “ right ” cleaning woman , he falls in love and changes his anteriority , before learning that she is die . It ’s a tired concept that rely too intemperately on the terminally - ill angle , and there is little about the instruction or motion-picture photography to balance out the plot . Schmaltzy with a few too many   pull “ artistic ” elements , it ’s one of the   few misfires from the other part of Pacino ’s vocation .

Righteous Kill (2008)

A sorely formulaic law-breaking drama Centennial State - stars Al Pacino and Robert DeNiro as Rooster and Turk , two NYC detectives after a serial killer . Despite the incredible star ability of these two player , the moving-picture show as a whole falls flat . The two run around NYC at the same time assay to find oneself the vigilante sea wolf targeting criminals who get off , and investigating the Man that their suspect is targeting .

It should have been a classic thriller , and it tick all those offense - drama boxes that unremarkably go over so well with hearing . However , it is just too cliché to be truly enjoyable , and critic complained that it felt soulless and excessively slick .   Pacino and De Niro , who previously team up in the classic Michael Mann filmHeat , seemed like they were endeavor to retake that conjuration , but it just did n’t shape thirteen years later .

The Son of No One (2011)

In this R - rated copper drama , Channing Tatum stars as Jonathan White , a immature police policeman hide a terrible mystery . As someone starts to leak out the truth about his criminal past , White has to administer with the pin out , while watching his world fall apart . Al Pacino is Detective Stanford , the fuzz who originally organize the covert up for White .

Despite have an incredible cast ( Tracy Morgan , Katie Holmes , and Ray Liotta also starred),The Son Of No Onefalls forgetful of its potential , with critic taking issue with essentially everything but the cast . It ’s melodramatic , yet lacks the build - up for the final conniption to really have the punch we want . mussy , badly publish and ill direct , this is by all odds a moving-picture show to forget .

88 Minutes (2007)

Another overly formulaic cop drama that falls flat , Al Pacino stars in88 Minutesas Jack Gramm , a forensic psychologist and college prof who appear to be being hunt down for helping to put away a sequent killer . He gets a dread earphone call telling him that he has on eighty - eight proceedings to live on , and has to essay and save himself . At the same time , a aper killer come out , and he attempts to hunt the culprit down at the same clock time .

gormandize with red herrings , overly dramatic moments and plot holes , this is a travesty of a crime play . Pacino himself gives one of his worst performance , insincere and lazy . One of the only reason to watch is to see his whisker , which is in a hulk bouffant and bring a note of hand of mirth to the proceeding .

Gigli (2003)

A truly awful attempt at a kidnap flick , this painfully forgettable activity film stars Ben Affleck and Jennifer Lopez as a bumbling hitman and a lesbian career criminal . The two are sent to kidnap the mentally challenged buddy of a Union prosecutor to keep a mob boss out of prison house . It ’s as Byzantine and unsubtle as it sounds , and Affleck and Lopez somehow deal to have no chemistry , despite being in a relationship in genuine life .

Pacino come in as Starkman , the mob boss who is headed for jail if Gigli and Ricki do n’t pull this off . It ’s a bit part , something that Pacino is no doubt glad , because he spends most of the sentence shout out at the two fumbling kidnappers . Pacino is on conversant ground as a mob boss , but the plastic film as a whole is appalling , with the vital reception to match .

Jack and Jill (2011)

Once a darling of blunt comedy , Adam Sandler continues to prove how the mighty can fall with this appalling attempt to find body fluid by dressing up in drag to act one half of a pair of Twin . Sandler adept as both Jack and Jill , sib with very different lives who are stuck together in LA during the footrace - up to Hanukkah . Pacino star as himself , but himself going off the bass goal as an actor and perplexing material life with the roles that he plays .

The three fictitious character come together for forced and nauseating laugh , a thin plot of land , and a whole slew of predictable shenanigans . Pacino may actually be the one hopeful spot in this appalling excuse for a comedy , but not even he can make this a film worth watch .

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Al Pacino in Jack and Jill

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