The DCEU is known ( and criticized ) for many things , but one of the most dominant is the overreliance on dream sequences . Across its four movies so far , there ’s been plenteous dream , visions , flashbacks and more that are mean to flesh out the news report , and yet all they really do is subvert what ’s being attempted . And it look likeJustice Leagueis go to cap it off . Now , dream sequences are n’t inherently a unfit idea . Many iconic moments in otherwise realistic films are surreal - Scottie ’s fever dream after Madeline ’s expiry inVertigo , Sarah Connor ’s vision of the future inTerminator 2 : Judgement Day , and the entire end ofBrazilshow how they can be narratively and thematically drive - but they need to have a purpose in and of themselves . Many of the DCEU ’s are just flashy chance to present Elseworld scenarios within the main narrative . Takethe young trailerfor the franchise ’s linchpin team - up . It opens with an prolonged successiveness where Lois Lane reunite with Clark Kent outside the family farmhouse against an orangeness - hued sunrise , confirming their engagement , and then … a flash lamp of her dropping soil on his tomb ( to verify those who did n’t seeBatman v Supermanknow he ’s dead ) and she ’s waking up alone in her bed . Then , just a few second later on , Bruce Wayne states he ’s uniting the metahumans because he " had a dream " . The poke has heap of trade good in there - the spatial cognisance in the final extended action beatnik is astounding - but its excited Crux Australis and story motive are based on sequence that are by definition not real .

These risk of exposure being a problem in the finished movie . The Lois one is annoying in a trailer for its lure - and - switch in the second , something that will be more aggravating in the moving picture know it ’s a fake - out ( and , while there ’s the possible action this is in fact Superman ’s much - teased - but - unobserved paying back , there ’s enough evidence it is all in her head ) . That ’s elusive in and of itself - as Superman will be resurrected inJustice League , it ’s cheap to have him laid out before - although the second one is more of an issue . And to get why we must go back toBatman v Superman .

Batman v Superman’s Dream Sequence Problems

Man of Steeltook reward of a couple of dreaming sequence - most unforgettably Superman drowning in a sea of skulls - but due to the film ’s flashback - heavy narration , they did n’t really interrupt the catamenia . Batman v Supermanexacerbated the problem fantastically .

There ’s a total of four sequences of varying realism across the film : the opening night sequence that purpose to be the Waynes ' funeral but thanks to some bat levitate Bruce is revealed to be part of older Batman ’s fractured psyche ; Bruce by and by dreaming of visiting his parent crypt only for a giant human squash racket to emerge from his female parent ’s casket ; Superman reuniting with a vision of Pa Kent on the top of a mint ; and , of course , the notorious Knightmare panorama where , in a future tense waste by Darkseid , Batman is appease by Superman ’s goons and parademons , captured and eventually pour down by the Man of Steel , which is subsequently hint to be somehow linked to the Flash ’s time meddling .

Each of these moments is incredibly important to the narrative . The first is obviously the first step , so sets the tone of voice of the movie and this Batman , reiterated with the Man - Bat sequence , while the Jonathan consequence like a shot motivates Superman to come back to Metropolis . And the Knightmare … well , we ’ll get to that shortly . Before , it ’s deserving stating the former three fumble and become thwarting because of their skewed presentment . Each has potential , but the overutilization becomes damaging - all escalate to unreal level and that oh - it - was - all - a - dream effect wears thin the third go around .

Ben Affleck as Christian drumming his hand on the table while talking to Cynthia Addai-Robinson’s Marybeth in The Accountant 2

The Knightmare is particularly problematic as it proves so brawny in the tale despite ill-defined nature . Is it a dream , a vision , time supplanting or some other Barry Allen - induced event ? The movie not only does n’t provide an solution , but the presentation means there ’s evidence against all options . What ’s of import , though , is that Bruce takes it as a dream , yet still treats it as nevertheless prophetical ; he permit what he believes to be a manifestation of his fears be the driving force for taking down Superman . And then , at the goal of the film , he alludes that it ’s given him " just a tactile sensation " a squad ask to be formed to agitate in his brother - from - another - Martha ’s place ( in part motivated by Lex Luthor ’s " ding dong " ramblings )

And this is why Bruce ’s line of work in theJustice Leaguetrailer is so worrying : it draw out that element .

How Justice League Looks To Be Continuing This Problem

The deduction in the trailer is that a dream is the reason that the League are uniting in the first place , presumptively the Knightmare ( which at least promises some account for what it really is ) but perhaps another , new premonition . Whatever the shell , it is n’t the arrival of Steppenwolf in Themyscira , or of any tangible , real - man menace , nor what Lex Luthor witness and alluded to at the end ofDawn of Justicethat sets things in motion .

There is the hypothesis of finical drone editing blurring comprehension lines and that this dreaming Bruce hash out is unrelated to the bigger threat . laggard editing is a unvarying bugaboo amongst movie fan , and while Warner Bros. are taking a unlike , more restrained tactics here , the Doomsday spoiler dropstill stings . However , as present , it means that for all the outdoor plot of ground interference , the events of bothBatman v SupermanandJustice Leaguefeel like they hinge on how Bruce Wayne interprets an ill - delimitate outer - physical structure experience .

We ’ve already established the irritation of a rug - drag dream reveal , but this also makes Batman seem out of sorts . The rendering of the Caped Crusader we ’ve experience from the DCEU is an older , wearied , unrelenting take on the Dark Knight , and also one whose first reaction to Superman is to batten down the hatches and prepare for war . Yet while one magical occurrence sends him crazy , another becomes his fundamental motivation ( and this is from before the Martha scene ) ; it does n’t fit .

In a dusty landscape Finn stares out into the distance in Star Wars: The Force Awakens

What The DCEU Needs To Change

The real issues focus on on using ambition sequences as get arounds for natural theatrical role development . In the DCEU , a hero sandwich falls at rest or encounter some figment of their imagination , then wake up or walks away fundamentally changed ; they ’ve been told or shown explicitly a power point they need to get to and snap into place rather than becoming that in a veridical or organic mode . This is a prominent part of why so many have rejected Snyder ’s set about deconstructions of these character .

Why does so much of Batman ’s maturation in his prefatorial picture and the service line for the 2nd film need to be done in this mode ? Would n’t it make for greater storytelling if this occurred via an in - universe cause and effect ? HadBatman v Supermanopened with a unvarnished singing of the Waynes ' execution , Bruce only acquire steps to stop Superman out of his own fear ( or secluded puppet - mastery from Lex Luthor ) , and Clark Kent wrestle with his intragroup demons of heroism in a less hokey personal manner , it ’s potential the plastic film would n’t have proven as divisive ; there ’d still be oft - cited problem , but they ’d clean up up the narration period .

Put this direction , the dealership figure of speech of dreams just is n’t necessary ( indeed , it ’s worth noting likewise confound flashbacks hamperedSuicide Squad , although that was part of a bigger problem ) . A smart move would be to just interview each one ’s inclusion in future ; while they may make for impactful lover moments that reserve a wider net of mirthful Bible influences , their current usage patently does n’t extend to better film .

A set of Final Destination Bloodlines characters looking concerned in new trailer

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Justice Leaguecan have dream sequences and workplace . The Lois and Clark sceneis understandably key to the film ’s gist vision and there ’s every opportunity we ’ll get some story of subversion of Batman ’s ethereal motivations ( just asBlade Runner 2049did for the special one trope ) . However , based on the franchise ’s form , it ’s definitely a concern .

Next:Justice League Final Trailer Breakdown: Every Clue & Reveal

Henry Cavill as Clark Kent in Justice League and the Knightmare from Batman v Superman

Knightmare Batman

Lois looks at Clark in the field in Justice League

Ben Affleck as Batman in Justice League

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