Only the Brave

Over the years , there have been several firefighter flick liberate , includingBackdraft , The Towering Inferno , Ladder 49 , andFire With Fire . The later incoming in this subgenre isOnly the Brave , which take a fate of the spectacle out of fighting fires itself and provides the audience with a more grounded viewpoint . That is for the most part due to it being based on the tangible life Granite Mountain Hotshots , who were the first responder to wildland firing .

More than a smattering of actors took the duty of impersonate these fallen heroes with dignity and dedication . Screen Rant lately sat down with Thad Luckinbill ( producer ofLa La Land , andOnly the Brave ) , Geoff Stults ( Unforgettable ) , and Alex Russell ( S.W.A.T ) where we discussed the convincing chemistry between 20 work force , training with Josh Brolin , and work with pyrotechnics .

SR : You all have such keen chemical science in the film . I really feel like you guys were friends and you had this chumminess . Did Joseph take you on a team building event or was that develop organically ?

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Geoff Stults : First thing he did was make us all log Z’s in one big bed . Yes , we commence out sleeping together .

Alex Russell : You ’d recall it ’d be a King but … .

Geoff Stults : Who would have think ? No , we did more of a boot camp . We did n’t have to sleep with one another .

Miles Teller in the woods in Only the Brave

Alex Russell : Did n’t have to –

Geoff Stults : Everytime .

Alex Russell : In pre - production we did a hebdomad of ‘ Hotshot Camp ’ , we would call it , with our expert advisor Pat McCarty , just putting us through it , throwing on the gear , hiking up mountains with chainsaws , all the tools that they have . I do n’t cogitate any specific endeavour had to go into creating chemical science between us because between that and the three month shoot in Santa Fe we had sight in common .

A line of men known as the Granite Mountain Hotshots walking in single file over a mountain in Only the Brave.

SR : Miles order he would never do a flick again with 20 guys .

Geoff Stults : Really ?

SR : He say it was great but was it a frat character of atmosphere ?

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Thad Luckinbill : You know it was twenty guys [ laughs ]

Alex Russell : It was definitely twenty guy .

Geoff Stults : It was twenty guys . Everywhere we exit … .. it was twenty guys .

Only the Brave

SR : separate me a little bit about the physical planning because it seem grueling . That scene when Miles is hiking and puking that would have been me . I ’m not nifty with the cardio .

Geoff Stults : That brought some flashbacks to me cause that was our very first 24-hour interval of film so what you guy rope saw was two minutes of that . That was all day running , running . Brolin like being overzealous , and trying to show to us that he was in skillful flesh , like get along on bozo .

Alex Russell : We had to stick with his step .

Thad Luckinbill : Yeah , and he was n’t carry anything .

Geoff Stults : That ’s right . Ugh , the worst . So we get after it physically , did a quite a little of work out together , off adjust too cause it was from 24-hour interval minus two workweek before we started to the end of it , three months subsequently . It was always physical for us . I mean it made it fun and entertaining at times and it made it dreaded and annoying . We screw if we were go to do the thing that these guys did , and portray the thing that these guys did we had to physically be able to bring it a small bit . We had to .

Alex Russell : And in all honesty throw us a small coup d’oeil of what real hotshots go through . We were wipe out , we were tired , we were dirty , our eye stinging with sweat , and all that hooey . I say to someone before , six o’clock rolls around or whatever it is , we go home to our hotel , those guys do n’t . They ’re still kip out there . They ’re still in it .

SR : How much pyrotechnics were involved ? Did you guys have to take to get used to the heat ?

All : Yeah .

Thad Luckinbill : We had all practical fire sets . As much as we could do and still be secure we had a mess of fire on set , especially when you get into the closeup shots . So you felt the hotness , you mat the flaming . It ’s decidedly there , but it was n’t anything compared to what they do in their real lives .

Geoff Stults : But as far as getting used to it ? It ’s just hot . No matter how many times you go scoot that . I personally was blown off at , if you look at that fire it ’s only four or five substructure tall right ? It ’s not this towering — the heat that follow off of those things when we ’re shoot , and you have your back to the flaming and you ’re like taste to look great for the camera , you find like your ears are melting . I was so vaunt away by the amount of Energy Department coming off of these flames even though we were playing firemen that had literal fire fighter to put thing out for us . It ’s impressive what they do work in that kind of environment every 24-hour interval . It ’s dotty to me .

Alex Russell : It ’s interesting . I do n’t get laid what the equation is , but it seems to be that how big a fire is if you sit around a campfire , we all recognize about how hot that is . I sense like as a blast grows the high temperature arise exponentially . It does n’t develop as you consider it would .

Geoff Stults : Then if the wind changes all of a sudden then that four ft fire is not eight feet . It ’s blow over the top of you . There were a few second . There was one shot in particular in the finale there where we all prevail out . It was time to … the current of air changed—

Alex Russell : They were like ‘ Get out ’ , ‘ Get out ’ , ‘ Get out ’ .

Geoff Stults : Let ’s go . Yeah .

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