Star Wars: Episode VII - The Force Awakens
It was the most extremely anticipated movie of all time . Leading up to the expiration ofStar Wars : The Force Awakens , director J.J. Abrams and crowd were staring down the barrel of a gun cocked and adulterate with the bowelless devotee discrimination conceivable . It ’s no wonder , then , that the movie is drastically misunderstood by fans and critics alike .
In an years where the play of a film ’s product is of equal public interest to the drama in a moving-picture show itself ( sometimes even more so ) , critical narratives can be quite seductive . They make us feel like we have a firm grasp on cultural phenomenon , and they give us a mislaid sense of ownership over the fabric .
By most accounting , The Force Awakenssucceeded in reviving theStar Warsfranchise for a new generation of both die - toilsome lover and mainstream audience . alas , it also spawned a web of inaccurate meter reading and lackadaisical criticisms , made by the very people who take to be the film ’s most ardent supporters .
To help you weed through the bologna , well-defined the critical acting field , and get to the heart of what this movie is really all about , here are15 Things Everyone Gets Wrong AboutStar Wars : The Force Awakens .
Han solo’s death was anti-climactic
Of all the unfair , fan - hysteria literary criticism thatThe Force Awakenshas endured , this one palpate the most fair . It is n’t precisely a stretch to debate that the death of everyone ’s favorite outer space smuggler at the hand of his whiny emo Logos matte up a bit stilted , peculiarly in light of the Han Solo ’s long - cast off cultural shadow .
However , when you look at Han ’s space in the narration ofThe Force Awakensalone , there ’s really nothing specially toothless or anti - climactic about his death .
Given the enormous and impenetrable lordliness of the character , Han Solo ’s death would probably have feel anti - climactic no matter what . But instead of giving him some operatic death picture with lots of bells and pennywhistle , J.J. Abrams wisely gave his demise a distinct purpose in the fresh trilogy ’s story .
Snoke was a bust
The Force Awakensisn’t without its flaws , and one of its biggest blunders was the visual display of new baddie Supreme Leader Snoke .
The way the hologram fake - out played with scale was interesting enough , but there was something about the excogitation of Andy Serkis ' performance capture character that seemed to clash with what we ’ve do to expect visually from theStar Warsuniverse .
But none of that mean that Snoke was a total bust , as many devotee have verify . His locating inThe Force Awakensmay have seemed a number awkward ( in addition to being a visual countenance - down ) but the time to come of the character and the character he ’ll play in the bombastic trilogy is yet to be witness .
Besides , the few glimpse we ’ve catch ofSnoke inThe Last Jediclearly point to the fiber being an over-the-top presence in the film , in both visual and narrative terms .
Rey is a Mary Sue
As we ’ll continue to discover further down this lean , the most popular criticisms ofThe Force Awakenscome out of a ethnical misunderstanding of whatStar Warsreally is . Of all these misunderstandings , the “ Rey is a Mary Sue ” argument is credibly the most rank .
To call Rey a Mary Sue is not only an offense to what might be the most important female character of the decade , but it ’s to whole ignore that Star Wars is , before anything else , a fantasy for baby .
You do n’t see little girls across the globe dressing up as Rey because she ’s some to a fault competent , subhuman slab of wish fulfilment . Yes , she ’s a modern mythological Heron with distinctly unprecedented ability in the Star Wars universe . She ’s also a unseasoned woman staring up at Mount Olympus — ready , after years of waiting , to take her first steps to the top . No Mary Sue could be the focal point of a journey like this .
Luke’s Cameo Status Was A Mistake
Now that we bonk we ’ll be seeing a lot of him inThe Last Jedi , fans have pretty much quieten down about the lack - of - Luke inThe Force Awakens .
While you ’d be hard pressed to find anyone who feel Luke should have appeared earlier than the moving picture ’s third act , a large camp of fans continue to wonder whether Luke would have well served the motion picture had he appeared earlier than its terminal moments .
Luke ’s appearance at the very , veryend ofThe Force Awakenscouldn’t have been more perfect . It hold up the mystique around the character that was key to the film ’s game .
It also turned an show that might have been anticlimactic into a poetic , incessantly intriguing cliffhanger . When the junk go down onThe Last Jedi ’s sacking and we become to the full reacquainted with Luke , chances are we ’ll all be glad that the character ’s full reintroduction was saved for the sequel .
It moves too fast
The Force Awakenshas been thoroughly maligned for its breakneck pacing . It ’s a fast - move film , to be indisputable . However , does it really move “ too ” tight ?
One of the most impressive exploit ofThe Force Awakensis the mode it manages to move through the story quickly without really sacrificing eccentric ontogeny or key plot points ( there ’s variety of an exception to that last part , but we ’ll get to that further down the list ) .
One could surely pinpoint section of the film that erroneously favour speed over substance , but overall , The Force Awakensis a very well - paced film . In fact , it ’s really just be in the footsteps ofA New HopeandReturn of the Jediin its fleet movement through the epic space opera house .
Rogue One was better
“ The Force Awakenswas proficient , but wow , Rogue Oneis even better ! ” This was the most pop knee - jerk reaction toRogue One — a film that excel most expectation — in the months observe its premiere . Now that the hype followingRogue One ’s liberation has died down every bit as much as the plug leading up toThe Force Awakens , any attempt at a definitive ranking of these two photographic film seems fruitless .
A lot was riding on both of these movies . The Force Awakensushered in a whole new trilogy of a beloved saga . Rogue Onemade the whirl - off film a worthwhile endeavour . Both films expeditiously serve their several purposes , and both films make up for what the other might lack .
compare them was a natural matter to do whenRogue Onecame out , but now that the hoopla has run its path , any popularized story aboutRogue Onebeing definitively better thanThe Force Awakensshould not be claim as gospel .
It’s “light” on CGI
The Force Awakenswas relentlessly promoted as a triumphant return to the “ real set ” and “ practical effects ” of the original trilogy . It may be a far vociferation from the weird , unripened screen - centrical guide of the prequels , butThe Force Awakensuses just as much CGIas it does practical effects , if not more .
But let ’s not deduct credit where credit is due . The crucial role that practical effects like interactional ready pattern and creature employment played in the success of the film ca n’t be overstated , butThe Force Awakenswould not have run had it not also implement turn out border CGI into nearly every frame .
Let ’s present it , no movie with two major motion - seizure character should go down in history as a true booster of pragmatic force .
Jakku is just a Tatooine wannabe
Leading up toTFA ’s exit , most of us were appall to find out that the desert planet we had control in the film ’s trailers and promotional material was notTatooine , but a whole Modern location called Jakku . Many buff are still asking , “ Did we really need two desert planets in theStar Warssaga ? ” If you really pay off tending to the bigger thematic roles these two desert options act in their various films , the solution is a resounding yes .
Anything like about these two planet is trivial in the spark of their differences . Tatooine , with it ’s broad barren scene , sodbuster ’s resolution , and " hives of scum and villainy " , evokes the mythology of the American West .
Jakku , with its landscape of predominate starship wreckage andMad Max - like scavenger hideouts , picture us that the fictional character of the continuation trilogy are living in the ruins of a warfare waged by the late generation . A share climate is almost a picayune law of similarity in comparing to the self-aggrandizing idea and separate thematic underpinnings that these two planets hold with them .
It ignores the prequels
The Force Awakenshas been applauded by fans for whole push aside the prequels in favor of establish thoroughgoing connective tissue to the original trilogy . While the motion-picture show clearly obsess over its relation to the trilogy that started it all , the idea that it offers noconnection to the prequelsis demonstratively false .
There are a few case inThe Force Awakenswherethe prequel era is directly addressed — the most open being a scene in which Kylo Ren and General Hux argue over the virtues of building a clone army versus recruiting Stormtroopers . The accuracy is , it ’s virtually impossible to talk about the original trilogy in any meaningful horse sense without the prequels being an intrinsical part of that conversation .
You ca n’t , for example , really research the connection between Kylo Ren and Darth Vader without Anakin Skywalker as we love him in the prequels being part of the equation . The prequels are , after all , an all important part of the saga , and it ’s out of the question to look back on the whole story without acknowledging every chapter .
Rey got her Force powers “too quickly”
One of the big job with today ’s fandom is that they inadvertently get in the way of a creator ’s storytelling process . fan often assume they know enough about a fictional universe to know where it ’s direct — to the distributor point that they lash out when something unexpected happens . Such is the case with the ever - popular “ Rey suffer her force powers too rapidly ” narrative .
The Force Awakenswas a terrific founding to the continuation trilogy ’s fundamental hero , but we still sleep with relatively little about her . To assume that Rey ’s development of her military force abilities would mime those that get along before her is to assume way too much about her this betimes on in the tale .
It ’s much more potential that the way in which Rey ’s strength superpower developed over the course ofThe Force Awakenswas designed , rather than some giant storytelling blunder on the part of J.J. Abrams and Lawrence Kasdan .
